“..smuk sangpræstation af Nana Bugge Rasmussen, med mørk intens stemme...” (..beautiful vocal performance by NBR, with dark, intense voice…”)
– Maria in Nordkraft by Signe Lykke, Politiken, 27.08.2021
“Nana Bugge Rasmussen bliver forestillingens følelsesmæssige centrum” (“NBR remains the emotional center of the performance)
– Maria in Nordkraft by Signe Lykke, CPHCulture, august 2021
“Nana Bugge Rasmussen gør fremragende fyldest som Maria” (“NBR is excellent in the role of Maria”)
– Maria in Nordkraft by Signe Lykke, Nordjyske, 08.08.2021
“Endelig synger Nana Bugge Rasmussen pagens to arier på flotteste vis, hende hører vi gerne mere til.” (“Nana Bugge Rasmussen sings Cherubino’s two arias in a great way, we would love to hear more from her in the future.”)
– Cherubino in Mozart’s Figaro, Operamagasinet Ascolta, april 2019
“Nana Bugge Rasmussen synger dramatisk og smukt” (“NBR sings dramatically and beautifully”)
– Eurydike in Downfall by Nicolai Worsaae, Politiken, 29.09.2017
“Nana Bugge Rasmussens var strålande med en uttrycksfull mezzo med skön timbre” (“NBR was brilliant with an expressive mezzo-voice with a beautiful timbre”)
– Eurydike in Downfall by Nicolai Worsaae, Skånska Dagbladet, 27.09.2017
“Eurydike synges av mezzosopranen Nana Bugge Rasmussen, med en klar, stor og moderne stemme. De mørkere fargene i klangen gir autoritet, og med nærvær på scenen har hun troverdighet i rollen som selvstendig kvinne” (“Eurydike is sung by the mezzo NBR, with a clear, large and modern voice. The dark colors in the sound give authority and with her presence on stage, she’s credible in the role of an independent woman”)
– Eurydike in Downfall by Nicolai Worsaae, Klassisk Musikkmagasin, 3.10.2017
“Nana Bugge Rasmussen’s Euridice has presence – both physically and vocally… She maintains enough vocal subtlety and elasticity to peer into the soul”
– Eurydike in Downfall by Nicolai Worsaae, Seismograf, 26.09.2017
“Unter den Vokalsolisten gefiel vor allem der warme, fokussierte Mezzosopran Nana Bugge Rasmussen”
– Bach Cantatas with Kammerorchester Basel, Frankfurter Neue Presse, 14.12.2015
“Die mit tragfähigem Alt und klug phrasierten Koloraturen aufwartende Nana Bugge Rasmussen zeichnet sich aus”
– Bach Cantatas with Kammerorchester Basel, Offenbach Post 15.12.2015
“Am präsentesten waren die Solisten an der Rampe… (Iris Eggler und Nana Bugge Rasmussen), die obendrein auch noch sehr sinnhaft ihre reizvollen Stimmen einsetzen konnten”
– Bach Cantatas with Kammerorchester Basel, Frankfurter Rundschau, 13.12.2015